1932-1962 Dance Project--a brief summary of about 3 decades

Recently in a dance class I am taking, we had to research two consecutive eras and find our information from a provided textbook. Each person in the group had a different task. I always love to be the one making a video if possible, so I had a visual aid. I also did a dance because even though this took about two hours to create, it is under five minutes so it looked like I did nothing. So I danced to the song "Ballin' the Jack" the Bob Crosby orchestra version. I explained to my peers that this song did have lyrics but I found it easier to dance to than the super slow Danny Kaye version or the sped up Gene Kelly and Judy Garland version I have from their movie For Me and My Gal . 
However this clip includes snip its that are not in order. It has snip its of movies, famous people, famous orchestras, and it contains sections of radio programs, and songs. I also have included a snip it or two from movies and television. It is mainly to give a sense of the time, as I assume the point of the assignment was because otherwise we would just dance.

Television in Post-War Period

Television in Post-War Period

            It is a box and it has been called many things, but for almost a century television has been a part of the home.  It is still a new technology that always seems to have room for improvement. As always, whenever something new is introduced into lives, a culture has to determine its place. The television came at a time when new technologies were just starting in their integration into the home. Many new changes were occurring in the 1950s, and television was a topic of debate. 

            Coming back from the war to the home, the modern homemaker was told to conform to the role of a homemaker once again. With the new innovations came new questions about how to handle new situations.  As one maybe can predict, televisions did not fit with the décor or layout that was traditional in homes up to this time. Portraits and paintings had center spotlight in the home for quite some time. This led to all sorts of questions about where to put this fairly alien object. Should the children have easy access to it through wheels or in their bedrooms? Should it have furniture designed for the purpose of hiding this new object? Should it have central importance in a room such as a fireplace or the radio? Is it okay for the bedroom? These were the questions that the post war housewife dealt with on a consistent basis. At one point a magazine subscription might say something malicious about television such as in the case of Better Homes and Gardens who suggested that it would cause bad habits in hygiene, nutrition, decorum, as well as physical, mental, and social disorders[1]. Although the year before the very same magazine claimed that it was not television’s fault it was a sign of deeper issues rooted in the family as well as just children growing up[2]. With viewpoints changing nearly every year within even the same magazine it is easy to see the inner conflict the family had when dealing with television. Many families developed their own solutions on how they had a healthy relationship with the television and their family. Sometimes this little box was arranged to have the family’s full attention, and sometimes the décor was designed specifically to hide the television[3] The television started to take the role the fireplace in years past, as a place to gather and watch as a family. This observation was apparent by television viewers so much so at the time that in the Christmas season there were some television stations that would play a fire burning in the fireplace[4]. Fireplaces and pianos were replaced by entertainment centers that included the television along with the radio and phonograph[5].

            Not only were pianos and fireplaces replaced by the television, some men felt like the television was also replacing them. According to the plots on television the woman’s role was to follow the man. Suddenly “the man” was not giving the orders though; his children relied on an object other than him for entertainment and companionship. Not only did his children not seek his time as much but they took orders from the man in the television set better than they took orders from their parents. Milton Berle was in fact, so popular, with children that he would tell them to go to bed [6].  It was a problem that was worrisome to many, how men felt they had lost their drive to achieve. A new hero emerged, the television repairman, which could solve the problem of a broken television set. In an episode of Fireside Theater, the television repairman discovers that Bruce was an old western film star who decided to live the simple life with a family on a farm[7]. This image of him in the present contrasts with his past glory, making him less of an admiration for a spectator as his masculinity has almost vanished from the almost forgotten past era. There is no doubt that television altered the way women were presented to the world. Women as homemakers were presented as women who looked perfect, had a wise head but were still reliant on the man of the house. June Cleaver always wears pearls, gets extremely focused when busy with housework or cooking, she is sensitive, and always follows her husband’s lead.[8] In Leave it to Beaver, Wally Cleaver is shocked to see any woman that is a wife looking less than perfect. June Cleaver is often put at odds with her family due to the fact that she is the only female, she may have a brush off with a typical “you wouldn’t understand; it’s a guy thing.” The George Burns and Gracie Allen Show, is a show that offers a good summary of the changing roles of the sexes. Through George and Gracie’s faults, husbands may see Gracie and identify her as their wives at certain times.[9] George could easily have qualities of an average husband who loses an argument and although the man of the house is also reliant on Gracie.[10]  Although Gracie may have caused trouble she still upheld a certain model of the typical housewife talking about cleaning and shown cooking. [11] There was considerable pressure from television to attain perfect housewife status with June Cleaver as a shining example. A wife was expected to work but look like a model when her husband came home and she was to greet him at the door much like in Father Knows Best. [12] With these women and their partners becoming different examples of what a home should look like; the rise of celebrity took place.[13] With this, it is easy to understand how celebrities became a topic of interest as they were the models of how society should look like according to television. People such as “Mr. Television” himself, Milton Berle, rose to the public eye and coming in visually through the television invited a certain type of intimacy to a celebrity, seemingly becoming part of the family, especially with television’s portrayal as a family affair.[14] Even children were starting to have their own celebrities they looked to for entertainment.

            People were sorting out how their lives were going to fit together with all these changes and what changes exactly would they accept. A parent could use television for punishment by taking away television time, or as a reward by giving more television time. It could serve as a tool for pushing the kids into the background while the adults socialized, so it served as a babysitter as well. It made some people think that it was bad because their children acted out more or that it was good because it was a chance for more family time. Even the advertisements of the time suggested that the family was so close in nature that everyone contributed in the consumer choices of the family, including the television which had images of families gathered around the television[15]. This was true, many families would watch television together; also many children preferred their parents’ favorite television programs[16] .Knowing that children were set in front of the television when there is relatively little to no programming designed for kids it’s easy to see how their kids develop tastes for their shows even if families did not want to admit it. Puppeteers such as Edgar Bergen, were on many adult programs.[17] Even so these celebrities were not as entertaining as a visually exciting show such as The Milton Berle Show where Milton was called “Uncle Miltie” and yes puppets/dummies even appeared on his show. [18]

            Television was also seen as a force that would keep families indoors; the theaters saw television as a threat just as movies were considered a threat to radio back in the 1930s. Now the theaters offered bigger screens and color pictures; this was something movies had that in television would not become mainstream until the late 1960s. For that reasons movies did not respond with positive action towards television. The movie companies wanted their audiences to keep coming to the theaters so for that reasons movies did not respond with positive action towards television. The movie companies wanted their audiences to keep coming to the theaters so the either never showed a television or offered a warning that television watchers would never socialize with society. Even television sometimes had an unconfident air about the future of television, as even Johnny Carson who became a television god to many people on television now, had some derogatory views on television.[19][20] Life with Elizabeth was a local television program in Los Angeles that starred Betty White, there is an episode where Betty White is scared of the television because she is afraid it will explode; this fear was not solely Betty’s sentiments toward television; practically everyone was a novice when it came to this box with the moving images. Trying to fix a television became a normal part of home life and it is vital to keep in mind that as this was new technology, everyone was learning how to work with electronics. Betty White described the television screen in Life with Elizabeth as a zebra racing across the screen instead of just calling it static. However there were some innovators such as George Burns who was one of the first on television to break the fourth wall, and sometime he did this with his television. His television was located in his den and sometimes it was present in the living room[21]. However with his television he watches his own show making himself the spectator along with the audience which was an interesting viewpoint. At this point in television’s history George Burns states that if an actor burped onstage it was considered innovative. Before this point it was assumed that although monologue was permissible, the fourth wall was generally kept up for the purpose of storytelling but with this way of communicating through television is inviting the audience to have a personal interest on the two screens.

            The post war period was a turning point in technology which meant for this era, that it was a turning point socially and economically. Everyone was scrambling to find out how television as well as other appliances fit into their lives so they could achieve a healthy balance in life. One thing seemed clear, that the family as a unit would determine how this technology would fit into their lives. The issues that arose were at a family level including the battle of the sexes. Television defined boundaries for females while criticizing males. Together husband, wife, and the innocent children would determine how television would affect them.

Works Cited

Burns, George. Gracie: A Love Story. New York: Putnam, 1988. Print.

Carroll, Carroll. "The Johnny Carson Show." The Johnny Carson Show. CBS. N.d. Television.

Helm, Harvey, Keith Fowler, Norman Paul, and William Burns. "Let's Dance." The George Burns and Gracie Allen Show. CBS. 9 Jan. 1956. Television.

Kahn, Milt, and George Tibbles. "Life with Elizabeth." Life with Elizabeth. KCOP. KCLA, Los Angeles, California, n.d. Television.

Spigel, Lynn. "Chapter Two: Television in the Family Circle." Make Room for TV: Television and the Family Ideal in Postwar America. Chicago: University of Chicago, 1992. 36-72. Print.

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[1] Lynn Spigel, Television and the Family Ideal in Postwar America, 1992, page 51

[2] Television and the Family Ideal in Postwar America, page 58

[3]Television and the Family Ideal in Postwar America, page 49

[4]Television and the Family Ideal in Postwar America,  page 38

[5]  Television and the Family Ideal in Postwar America, page 38

[6]Television and the Family Ideal in Postwar America, page 60

[7]Television and the Family Ideal in Postwar America, 64

[8] Barbra Billingsley actually had a scar, so in order to cover up her imperfect skin the show wanted her to wear pearls on every show.

[9] George Burn’s tried to portray the average American husband while countless of men wrote in or told George that Gracie reminded them of their wife. More information about that is available through Gracie: A Love Story by George Burns.

[10] In the “Dance Lesson” episode, the Mortons comment on how before Gracie, George did not have a dime and he uses Gracie for explotation, but Harry argues that George has to deal with Gracie’s crazy logic. George insults both of them and all of a sudden they see the good in each other.

[11] She even added some glamour to the job; George recalls that Gracie would receive letters from ladies that were excited to see what apron she had on each episode.

[12] In both Father Knows Best and Leave it to Beaver, the father is central while the mother looks gorgeous standing next to her husband while the kids are all gathered together as if to say that this show is supposed to include them as well as revolve around the children as well.

[13] There were differences in models of families such as an older family versus a family still raising young children, as well as normal economic status. The Burns’ lived in Beverly Hills and able to afford fur coats, and the Cleavers lived in Mayfield and could live comfortably.

[14] Milton Berle was called “Mr. Television” because he possessed the highest Nielsen ratings for many years, he still has the highest Nielsen ratings of all time. It is said that he helped contribute to many people buying televisions.

[15]Television and the Family Ideal in Postwar America , page 40

[16]Television and the Family Ideal in Postwar America, page 57

[17] Edgar Bergen appeared on Disney programs such as Fun and Fancy Free but appeared on shows such as The Milton Berle Show and The Jack Benny Show.

[18] Spigel refers to Milton Berle’s show as burlesque but as kids often did watch it he developed the nickname “Uncle Miltie”, and had an occasional blip in his program for children.

[19] Through his short lived program The Johnny Carson Show, he did sketches about traditions common before television such as riddle parties, but also did sketches that showed the shallow end of television such as making fun of how commercials are known by their jingle instead of their content, as well as a comedy sketch about the future displaying robots as servants that do everything, including having an affair.

[20] Johnny Carson is mentioned often in late night primetime television network programming because many of the comedians have adopted his style. For further reading about one late night comedian who claims every late night television star wants to be Johnny Carson read Craig Ferguson’s biography American on Purpose.

[21] A den was what a man often called his work office and a room all of his own, it usually contained things like books, brandy, and cigars. 

Daddy Long Legs

You gotta love Fred Astaire.
This is a STAR studded cast. Not in the leading man sort of way or leading lady but the sidekicks are AWESOME.
In this cast there are (I found at least) 2 Harry Morton's from the George Burns and Gracie Allen Show.
There is Buster Keaton and Fred Clark.
Then there is Thelma Ritter...she is in awesome movies like Move Over, Darling and Pillow Talk.
Sassy spunky and oldish...the original Betty White.
Fred Astaire requested Leslie Caron for the role.
It's a story of true hope.
Johnny Mercer sings the opening number.
Fred astaire is a dancing wealthy benefactor saving economic crisis but is quite a hispter jiver.
Fred Astaire's wife died during the middle of this movie which is why you can sometimes tell he is red eyed from crying in his trailer. That is one instance when I think the trailer is necessary for stars. Give all grieving stars-a trailer so they can cry, I mean even men cry...when someone you love  has died-it's expected.
Leslie Caron- didn't want to be in pictures but gave into her mothers wishes and joined Gene Kelly in An American and Paris and---of course with Fred here.

Public Domain

http://www.solie.org/ClassicTV/BurndandAllen.html

Ok so my Audrey Hepburn/ Gracie Allen house was a bit of a stretch for me. I liked doing it, out of all the applications I've applied for that was the most fun. However blogs need constant updating. Someone needs to have dedication and that's what it is for me (not boredom or laziness because I REALLY don't have time for that). I enjoy blogging.
So thirteen episode of George Burns and Gracie Allen are available for the public domain. These are listed in the link posted above where you can watch. You can find some random ones on youtube but for the most part they are just these. Don't mess with confusing labels people put on some of Burns and Allen's youtube stuff.
http://www.youtube.com/user/openflix
This guy has ALOT of youtube public domain. Youtube and other companies (supposedly) do not have a problem with it. Legally they shouldn't. MOVIES! Some are the Medicine Man(Jack Benny), Palooka(Jimmy Durante), and Wake Me Up When the War Ends (not sure if that's the real title but it has eve gabor in it, although the only reason it's in domain is that no one registered the copyright)

Looney Tune Time: Pussyfoot

    

                                                                 

      This is an adorable little kitty. However the gender is confused....many say it is a girl BUT I have done extensive research and have concluded it is in reality, male. However it is marketed to females as a female cat. Looney Tunes itself had almost forgotten this member until girls everywhere discovered this gem. However it is never really mentioned what gender the cat is or referenced at all. Pussyfoot only made a few appearances before the creators moved on to their more successful looney tune characters. However who can resist a little kitten clawing marc anthony's back? When he adores the kitty so?
      Pussyfoot first appeared in "Feed the Kitty", where Marc Anthony thinks Pussyfoot is made into a cookie, when his owner gives him a feline cookie shape because the kitty was messing around.

      You may recognize the voice of the mistress, it is Bea Benaderet. She was Kate in Petticoat Junction (owner of Petticoat Junction), and in The Burns and Allen Show as Mrs. Morton.  The kitty's meows are done none other than the man of 101 voices, Mel Blanc (also on Jack Benny show and most voices for Looney Tunes)

This is another example of the confusion of gender but it is cute. Also it says new pussyfoot which I take to mean, that this is the new role for pussyfoot, it's like warner brothers just decided to switch genders for this lovable character to market him better (got a magnet of him in my locker)

What's My Line(final in my series)

Touching tribute...

What I love about "What's My Line" panelists

I love Bennett Cerf's sarcastic manner yet smart (same with Fred Allen)

Love Fred Allen with the Red Skeleton episode, "OH ho I can see the light even with these on" "Do you have a color for your first name?....You do? I give up" but I like Bennett Cerf (part owner of Random House publishing asking in one episode with an author, do you write for Random House?)

I love Dorthy's absurd questions that are obviously trying to brag a bit but it's amazing how many people said yes....or depending on what the question was, just how hilarious it would be.(and the guest) I love the episode with just George Burns when he answers yes when no one knew it really was a no until he revealed himself by saying "I'm also a liar"

I love Arlene Francis. I just love her reactions and her fun loving way.

To end my series I've done on this which I can't say that I'll never do What's My Line things ever again because it had funny responses and amazing guest stars.

There seemed to be a period when a chair was open to any panelist and I like Jerry Lewis for awhile with the girl who sold diet pills, everyone is going on, but Jerry just guesses actually to be kind of meanly(she was heavy) carelessly sarcastic but he gets it right. So, go figure.

Love the episode with Johnny Olson because well it's their own announcer and they can't guess it. He had some awesome voices.

But the best MC that was, John Daly.

The last episode was him!

Go check that out!

I told you more What's My Line was coming.

I love Johnny Olson in this. He is great at the voices. They cannot figure out their own announcer!

I also love the dead giveaway videos. They are all comedians of  course that kind of bust in to reveal their identities. Love the cane with Burns and Allen, gotta love Gracie's dumb quip. Love Burn's response! I couldn't help but think that's why George would always make remarks about being the one that brought in the money with his act, moments like that I don't think George thought ever to write in...but it was sooo loveable. Then I also especially loved Martin and Lewis!!! Of course Jerry had to act stupid, with Jerry I find it obnoxious but I've always found it a kind of obnoxious...great comedian though. Liked Dean too pointing to himself wanting the attention saying me me, let me answer....But with Jerry's kidish nature in their shows, of course...Ernie Novacks.Dorthy's reaction with Mr. Cerf's.classic.

One of my favorite episodes though, is Jack Benny. Jack Benny never needed to say a joke in his life. He'd just watch a funny situation, look at the audience, the hilarity comes out with no joke about it. No need to make jokes or crack at people all the time, just look at the audience like they already get it.He also went up to kiss one of the panelist when she asks if he is handsome?!? Hilarious. Jack hits Daly...oh more hilarities, just watch it please.

Lambchops: Burns and Allen 1929

Burns and Allen...Well 1929...OLD! And they're talking! It was pretty awesome. In their old acts they both played the straight and monkey parts...I think right now they're getting the hang of it. Vaudeville...it couldn't have been too long before that they were in it.It just amazes me the year 1929 and talking. Smart act and still has the awesome smart jokes that are a bit cheesy.

The comedic genius of Burns and Allen

Comedic geniuses, that's just Burns and Allen. I had this link up before but it's too good. I have to get it around, it's what made me notice my own blog and realized, this is my real passion.  http://theburnsandallenshow.blogspot.com/search?updated-min=2008-01-01T00%3A00%3A00-05%3A00&updated-max=2009-01-01T00%3A00%3A00-05%3A00&max-results=4

This is just a funny radio broadcast, I put it into my ipod.